A real horizontal timeline
Stacked video and audio tracks, side by side, the way an editor reads a cut — inside After Effects, not next to it.
Razor, ripple, drag and snap — with JKL, Space and Ctrl+K where your hands already expect them. AeCut edits the real composition: every cut you make is a cut in After Effects.
Everything writes ordinary keyframes and effects on your own layers. Nothing is baked, nothing is locked.
Stacked video and audio tracks, side by side, the way an editor reads a cut — inside After Effects, not next to it.
JKL for shuttle, Space for play, Ctrl+K to razor. Premiere muscle memory, no relearning.
Waveforms rendered per clip, live stereo metering and dB adjustment, so you cut on the sound and not on guesswork.
Every edit is written to the real composition, and edits made in the native timeline appear in AeCut. Sequence tabs remember their own zoom.
Window › Extensions › AeCut. Your composition appears as a timeline.
Razor, ripple, drag, snap — with the keyboard, at the speed you cut in Premiere.
Nothing is wrapped or precomposed behind your back. Close AeCut and the cut is there.
No. It is a panel that edits your composition. Everything it does is an ordinary After Effects edit.
After Effects 24.0 and newer, on Windows and macOS.
No. It reads and edits layers in the open composition, nothing else.
30 days, money back, no questions asked.
One purchase, both platforms, and every update to version 1.